IN 1945, FIRE claimed three of Gustav Klimt’s most controversial paintings. Commissioned in 1894 for the University of Vienna, « the Faculty Paintings »—as they became known—were unlike any of the Austrian symbolist’s previous work. As soon as he presented them, critics were in an uproar over their dramatic departure from the aesthetics of the time. Professors at the university rejected them immediately, and Klimt withdrew from the project. Soon thereafter, the works found their way into other collections. During World War II, they were placed in a castle north of Vienna for safekeeping, but the castle burned down, and the paintings presumably went with it. All that remains today are some black-and-white photographs and writings from the time. Yet I am staring right at them.
L'IA : opportunité ou menace ? Les DSI de la finance s'interrogent Alors que l'intelligence…
Sécurité des identités : un pilier essentiel pour la conformité au règlement DORA dans le…
La transformation numérique du secteur financier n'a pas que du bon : elle augmente aussi…
Telegram envisage de quitter la France : le chiffrement de bout en bout au cœur…
L'intelligence artificielle (IA) révolutionne le paysage de la cybersécurité, mais pas toujours dans le bon…
TISAX® et ISO 27001 sont toutes deux des normes dédiées à la sécurité de l’information. Bien qu’elles aient…
This website uses cookies.